Fracture
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[ 01 / OVERVIEW ]

Live Audio & Touring

Prepare the show. Engineer it from advance to strike.

Artists, promoters, venues, and touring teams hire Fracture for technical advancing, FOH and monitor engineering, RF coordination, systems engineering, and equipment preparation. Each engagement defines the technical plan, show files, equipment, crew roles, and show-day responsibilities.

[ 02 / SERVICES + PROCESS ]

Choose the work you need.

Production advancing, FOH engineering, RF coordination, A1/A2 staffing, equipment preparation, and touring audio support. Add one service or combine several. Your selections stay together in one inquiry.

01

FOH Engineering

Show and PA review, FOH file and workflow preparation, and front-of-house mixing for agreed performances or tour dates.

02

RF Coordination

Frequency planning, wireless microphone and IEM configuration, interference checks, and on-site RF support when included.

03

Production Advancing & Technical Planning

Rider, stage plot, I/O, schedule, staffing, and venue review, followed by an agreed technical plan before show day.

04

Touring Audio Support

Audio crew, equipment, show files, venue information, and technical responsibilities prepared for one date or an agreed tour run.

05

A1, A2 & Technical Staffing

Role-specific A1, A2, FOH, RF, and production personnel matched to the confirmed show, schedule, location, and responsibilities.

[ GOOD FIT ]

Who this is for.

  • Artists or artist teams preparing a concert
  • Promoters or venues that need FOH, A1, A2, RF, or other defined technical roles
  • Shows with several wireless microphones or in-ear monitor channels
  • Touring teams that need technical advancing, equipment preparation, and consistent show information across dates

[ TYPICAL DELIVERY ]

What you receive.

  • A reviewed rider, stage plot, input and output list, schedule, and venue advance
  • A named staffing, audio, wireless, console, and equipment plan
  • Configured and tested show files, wireless systems, and equipment included in the job
  • The agreed live-audio work through load-in, soundcheck, performance, strike, and closeout

[ HOW THE WORK RUNS ]

From first review to final delivery.

  1. 01

    Advance

    Confirm the date, venue contacts, rider, stage plot, input list, schedule, personnel, and venue-system details.

  2. 02

    Engineer

    Define FOH, monitor, RF, systems, console, staffing, equipment, and communication responsibilities.

  3. 03

    Prepare

    Configure and test show files, wireless systems, equipment, labels, and documentation before load-in.

  4. 04

    Run the show

    Perform the agreed roles through load-in, soundcheck, performance, strike, and closeout.

[ 03 / PRICING FORMULA ]

How the quote is built.

Live work is priced from the confirmed dates, technical responsibilities, crew, equipment, schedule, and logistics.

01

Advance + preparation

Rider review, venue coordination, show files, RF planning, equipment prep, and documentation.

02

Crew + call time

The named FOH, A1, A2, RF, systems, or production roles and their working schedule.

03

Shows + equipment

Performance dates, rehearsals, consoles, wireless, support gear, rentals, and deployment.

04

Logistics

Travel, freight, lodging, per diem, overtime, local labor, or outside suppliers when approved.

Written project quote

The quote names the dates, roles, equipment, schedule, responsibilities, payment cadence, and exclusions.

No date, crew member, or equipment package is held until availability and the written scope are confirmed. Approved schedule or routing changes may change the quote.

[ 04 / START ]

Start with the date, venue, and rider.

Choose the live service below and gather the show date, venue contact, schedule, stage plot, input list, wireless count, equipment needs, and roles you need Fracture to fill. Availability is confirmed before any date is held.

  • Services you need
  • Target date or schedule
  • Existing files, links, or project context